Originally from Sault Ste. Marie, Michigan, Sarah moved to Winnipeg in 2004 for school, attending the University of Manitoba. She graduated in 2015 and now resides in Winnipeg with her husband, Michael. She is currently a sessional musician, performing with various groups around Winnipeg and surrounding areas.
Experience
Freelance
2004-present
Violinist & Violist
Simply Strings
2002-2012
Musician
Sault Symphony Orchestra
1999-2007
Education
University of Manitoba
BA Music Performance
Viola
2004-2013
University of Manitoba
MA Music Performance
Viola
2013-2015

When I was young, I started my musical education in my hometown, Sault Ste. Marie, Michigan, with my piano teacher. She gave me and my siblings a solid foundation of piano performance, theory, and ensemble-work. A few years later, I was encouraged by my parents to choose a second instrument. After some consideration, I chose the violin. We travelled weekly to Sault Ste. Marie, Ontario, for lessons with Ed Gartshore. In his studio, his students were given regular lessons, ensemble training, and rehearsals. We were also encouraged to join the youth orchestras and to attend the annual summer music camp.
My musical education with the Gartshore family was full of hard work, personal discovery, lessons beyond the staves, and many lifelong friends. Pioneers and pillars of the musical community in Ontario, the Gartshores’ legacy still lives on in their family and those they trained. Their love of playing music with friends and family helped to foster my extracurricular activities with my mom, siblings, and our friends. We created ensembles of our own, playing weddings and events around our hometown and surrounding areas. We joined the Sault Symphony Orchestra, a volunteer orchestra consisting of musicians from both the Upper Peninsula of Michigan and Ontario. Under the direction of our conductor, John Wilkinson, I learned about the joys – frustrations – and intricacies of playing in a symphony. In this unique group, we worked together to create beautiful music, playing simply for the love and joy of music. They gave me my first experience of playing with the symphony as a solo artist. And, through the SSO Young Artists’ Competition, I won the opportunity to perform with the symphony again as a solo artist on the viola.
As I grew older, we decided to find a violin teacher with whom I could train to achieve a level of musicianship good enough to enter university. The Pokhanovski family had recently moved to Sault Ste. Marie, Ontario, and both of the sons were music teachers. Oleg Pokhanovski agreed to take me on as a student. I still attended youth orchestra and summer camps. With Oleg, though, I learned how to reach beyond my comfort zone. In the process, my musicianship grew leaps and bounds throughout my teenage years. Thanks to the experiences, expertise, and talent of my new teacher, I learned that there was so much more out there for me to discover.
At the Algoma Music Camp one year, I saw a counselor preparing for the staff concert. She was practicing the viola, and I was intrigued. This instrument was mainly used in my favorite things – chamber and orchestra music. I was in a position to consider if learning to play the viola would be a smart career move. Over the two weeks at camp, I learned the basics. By the end of camp that year, I was able to perform on a borrowed viola with the rest of the campers. I was officially hooked. Upon returning home, I had to ask my teacher to allow me to train on both the violin and the viola. There was already a very talented viola teacher at hand, Oleg’s older brother – Mikhail. After some convincing, they agreed. My new goal – a double-major music degree at university.
The chamber group with my mother and friends (Simply Strings) was indispensable for my training at this time. They gave me a much-needed outlet to use and hone my skills as a violist. We played weddings, local events, networked at wedding shows, and took chamber classes together. Mikhail became our chamber coach, and we started to explore the immense catalogue of ensemble music available to us. This time of mutual musical education brought us together and solidified the bonds that have held us together over many years.


I graduated high school with a General Education Degree in 2002. I completed two years of general study at Lake Superior State University & Algoma University College while I continued my preparations for music school. I auditioned for and gained permission to transfer to the University of Manitoba for the 2004 school year. I studied both violin and viola there for two years, achieving double-major performance student status (violin and viola). Mikhail and Oleg Pokhanovski continued to be my teachers throughout my education at the University of Manitoba, as they had moved their family to Manitoba several years earlier. I was extremely thankful to have the opportunity to continue my education with them.
In November 2007, I married my husband, Michael Carswell, and school went on the backburner while we figured out immigration to Canada, life, and finances. It took roughly 5 years for me to return to school. In order to speed up graduation, I chose to only continue my studies with viola. Mikhail Pokhanovsky graciously agreed to continue working with me until I finished school. I graduated with my Bachelors degree in Viola Performance in 2013, and was offered a scholarship to stay in school to earn a Masters degree. In 2015, I finished my post-secondary education with a Masters degree in Viola Performance. For clarification, I never dropped the violin. I still consider myself to be both a violinist & violist, only my completed education was for the viola.
Over the 10+ years studying in Winnipeg, I have made many friends and colleagues. We had made impromptu chamber groups for each other’s recitals, juries, and other performances. Even now, after 20+ years, I continue to foster these friendships and make new acquaintances through our mutual love of chamber music. Some of my best friends and colleagues are the among the most experienced and talented musicians in the city, and I am always honoured when they invite me to join in on one of their projects, whether it be on viola – violin – or electric 5-string violin. To date, some of the most surreal projects for which I have been hired include backup instrumentalist for the following artists:
- Michael Gabriel
- Il Divo
- Jim Peterik
- Don Amero
- The Eagles
- Michael Buble
No matter what the opportunity: church service, choir accompaniment, wedding, concert, rock festival, or anything of the sort – I’m happy to work with my colleagues to encourage others in their joy of music.
